The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Analyse and interpret the intermediate syllabus
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Demonstrate understanding of the syllabus at the intermediate grade level Completed |
Evidence:
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Identify and interpret syllabus requirements for barre work, port de bras and centre practice Completed |
Evidence:
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Analyse syllabus requirements for adage Completed |
Evidence:
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Identify and interpret syllabus requirements for pirouettes, allegro and pointe work Completed |
Evidence:
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Identify specific syllabus requirements for males Completed |
Evidence:
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Analyse syllabus requirements for the intermediate dances Completed |
Evidence:
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Demonstrate and deliver intermediate-specific exercises
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Identify faults and suggest corrective exercises Completed |
Evidence:
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Create exercises to introduce and complement the set work Completed |
Evidence:
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Design exercises specific to the needs of male students as required Completed |
Evidence:
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Detect and correct quality of allegro and footwork Completed |
Evidence:
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Analyse line and quality of position Completed |
Evidence:
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Monitor students’ control through body and legs Completed |
Evidence:
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Ensure a sound knowledge of theory work, up to and including the intermediate level
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Identify and demonstrate the five positions of the feet, arms and head Completed |
Evidence:
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Identify and demonstrate the seven movements in dance Completed |
Evidence:
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Identify and demonstrate the correct movements of the foot Completed |
Evidence:
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Discuss the theory of port de bras and the use of the eight fixed points Completed |
Evidence:
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Identify and demonstrate the five arabesques Completed |
Evidence:
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Identify and demonstrate the eight directions of the body Completed |
Evidence:
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Ensure student understanding of the meanings of French ballet terms Completed |
Evidence:
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Teach students to perform intermediate-specific enchaînements
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Demonstrate the ability to break down intermediate exercises into individual steps Completed |
Evidence:
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Demonstrate a combination of exercises to create a series of steps, or enchaînements, specific to the intermediate level Completed |
Evidence:
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Perform enchaînements to music as specified in the intermediate syllabus Completed |
Evidence:
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Encourage a sense of performance, musicality and artistry Completed |
Evidence:
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Give positive feedback on rhythm, quality and coordination of movement Completed |
Evidence:
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Encourage in students a sense of enjoyment and confidence in movement Completed |
Evidence:
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Prepare students for intermediate examination
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Explain examination requirements to students Completed |
Evidence:
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Break down the class into sections that reflect the methods used in the examination Completed |
Evidence:
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Practise a range of positions and movements consistent with the syllabus Completed |
Evidence:
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Incorporate unseen enchaînements in classes Completed |
Evidence:
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Teach students to perform intermediate-specific enchaînements
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Demonstrate the ability to break down intermediate exercises into individual steps Completed |
Evidence:
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Demonstrate a combination of exercises to create a series of steps, or enchaînements, specific to the intermediate level Completed |
Evidence:
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Perform enchaînements to music as specified in the intermediate syllabus Completed |
Evidence:
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Encourage a sense of performance, musicality and artistry Completed |
Evidence:
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Give positive feedback on rhythm, quality and coordination of movement Completed |
Evidence:
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Encourage in students a sense of enjoyment and confidence in movement Completed |
Evidence:
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